Description for Large Version

For Lava Dragon Rider, objects which are split from origin but still alive in shifting colures of multiple (visible) causal fields of various particle flows return to origin and coalesce as form through dimensional seizing perceived in corridors of material matrixing where time runs athwart the other in an antinomic flux of unified awareness.

The center of the image is creased with two disparate outlines. At center, the single-footed Rider appears to balance on one foot. But this cannot be. The actual Dragon Rider, seemingly astride what looks to be a single appendage, has short legs, in proportion to his visible head and body. His booted feet, appearing as flippers at center and center right of the image, are astride a large creature. The dark, exterior surface of the Dragon Rider is inside a thickened integument of runnelled, plasmoid skin, a bit like a smith’s leather apron. The dragon rider is fused with the Lava-Dragon. He appears in this material form to unite with the Lava-Dragon and escape.

RIDER

The rider is hooded. His helement, or helmet, gleams with a resin-tinted, burnished glow of unknown, mysterious alloys. Always priceless in origin, steamed into life in a heavy core, unified metallic plasma circuits of demonstrative age and utility are allied in their field. The Helm has a central diadem. It maintains a communicative frequency within the variable flux. Eye slits are visible in the darkened and tilted facial respirator. The respiratory tubes cover the form of the Rider. The Rider is strapped with bands of equipment. Buckles cinched to the Rider’s humanoid articulated plasma torso contain the Rider’s energy and intermingle with his anatomy. The respiratory tubes, buckled and braced against cuff flanges, bulge lumps in the Rider’s overcoat.  The protective plasma integument coat runs through the Rider and the Dragon like webbing, like a fur integrated into the visible machine-matrix.

The rider has forward-placed large eyes under the brown, metallic helm. The helmet covers his eyes and he is safely protected. He has a thin body. His left arm is not visible. Presumably he is assisting guidance for the journey with the Lava Dragon.

SWORD

Alternately, the Rider does appear to have a dis-proportionally very long right arm extending to the viewer’s left. Two arms, one light on top and one in blue shadows below, grasp the sword at a perpendicular angle. Energy seems to pour from the Dragon and the Rider uniting at the sword hilt. The arms form a wing-shaped appendage (extending to our left) to erupt off the body of the Rider. They take possession of the Sword.  With this multiple-armed appendage the Rider grasps the sword. The yellow hand the at the end of the arm of the Rider wraps the sword hilt. His thumb and projecting hand give a defining embrace to the Sword.

The long sword is disproportionate to the size of the Rider. Green drops of material cling to and drop off the sword. The green droplets also appear on the forms of the Dragon and the Rider.

The Sword appears to be planted in the substrate of the conflict. Careful inspection of the Sword point in the large image and inspection of The Wall will show the sword is killing an entity that resembles the right-hand body of the central figure in the Unity image. Here, that figure is unattached and separate from the Left-hand body-form in the Unity images.

The titanic Sword carries its weight downward on its penetrating blade. Low in the substrate, The Sword is jammed into the ground. The ground conceals a recognizable form. The sword is figuratively killing or blunting the advance of the Serpent entity at bottom center left. The Sword is plunged in a compelling manner, thrust downward into the area of the neck of the serpent entity. Rather, it is placed with care, as if to not move again, as if declaring a resolution or détente.  The Sword thrust in this manner does not appear to be killing the serpent. The sword placement represents more of a barrier to attaining an end. Such as, the Asura’s being denied the nectar of immortality Amrita by Vishnu (with cleverness and trickery) as Mohini. The visual data reveals the poised threat, the immortal conflict, the danger proffered to the serpent continuing the thrust for seeking the power of the egg.

Serpent

Fully covering the lower left quadrant, we see the thick body and wide-spread jaws of the advancing serpent. It is plunging under the earth, striving to reach for an egg of light at the base of the feet of the Lava Dragon. Writhing forward, the serpent cannot be stopped. Can it be thwarted? Locate the head and eyes of a large serpent-shaped entity. The eyes will present alternate visages of the serpent.

The serpent entity has a wide mouth that is open and may be ready to swallow the bright object beneath the thrust of the Lava-Dragon’s planted right leg. The serpent has already swallowed an egg, else it would not be trying again. Note that Apophis, the Egyptian serpent god, is engaged in eating the sun on a daily basis and has to be defeated each night by the honored dead to free the sun for travel. Since the bright object under the foot of the Lava Dragon Rider appears to be implanting, or moving to a position for use or exploitation, it may represent an item other than the sun, but somehow just as important. It may represent an origin of an entity who will portend a different reality the serpent wishes to avoid. Duality, sexuality, and the break from a unified consciousness is what Apophis most wishes to avoid. Instead, ownership of the bright egg form (this time) could be attained by the Dragon Rider if he captures or protects the egg. This object represents some objective that is difficult to attain but needed by the protectors. The object could be saved to rescue the needy or destroyed to cement an ancient legacy. The serpent entity acting for another powerful unseen unit, for other reasons, feels the threat of the egg must cause him to destroy it.

Dragon

To the right, a jet of yellow light acts as a pinion leg in plasma form for the Lava Dragon. The raised leg emits a solid projection of plasma at the same time having a material platform solidly thrust onto the ground. A stone-like foot to the right is held in anatomical place by the plasma energy building the Lava-Dragon.  The Lava-Dragon’s body is tilted to the right.

Alternately, we can view the Dragon’s glowing right eye as another shape. When viewing the smoldering orange eye (to our right of the rider’s face) as a lizard shape, it looks much like our stylized images of the T. Rex head. The large fanged jaws bellow fire and smoke, hanging open. But the Dragon’s body and appendages are completely different from a T. Rex. The glowing orange eye lies under a sharp brow-ridge. Further to the right, completing the head of the Dragon, a dark eye in a yellow portion of the face, well within a bony carapace, is above the fierce maw of teeth and energetic exhalations of the Dragon’s Breath. Both eyes on the head can be discerned, the right eye in a fiery energy and the left one glowing golden in a materialized form of living, metallic stone.

LITTLEHEAD

The Torso of the Dragon Rider is short and directly left of the Lava Dragon’s neck and jaw line.

To the Rider’s left, at his shoulder, sits another smaller form, as if being carried off to safety. At Head of the Rider, a light blue strand on his left face separates his head from a triangular dark shape sitting atop his shoulder area. Within the dark triangular area is a small face.  The number of eyes could be one or two. Staring leftward, this small hominin face is clear when the Lava-Dragon is not being perceived. The little humanoid figure is small, as if sitting with the Dragon Rider at his shoulder. The face staring out of this dark triangular shape seems to lend credence to the idea that the Rider is transporting a youngster. And well this may be.

Behind Head

To the left of the rider’s head, another head gazes back at us. It has a wry, wistful expression. It has a human emotion visible, but the emotion is an ironic one. The blue face appears to sport long hair, like a mullet, a dark, shiny eye which is covered by a eye patch. His tilted eyes glow with some knowing imprecation. The pointed nose above the chevron mouth seems to complete the face leftward face above and behind the Rider. But it is still hearkening, cajoling in recognition. Slightly further left, and much smaller, a golden hominid-face mask protrudes from the blue energy. The facemask exposes a dark, open mouth and dark eye shape. The mouth appears to be uttering, singing or bellowing in a leftward direction.

Available Sizes: JPG: 9.2 Mb. TIF: 101 Mb.

Image best viewed in low-light environment. TIF Images may reveal highlight illumination in dark shadows. TIF Images are best viewed on 30-bit panels with color-accurate support displaying color space Adobe RGB 1998.