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Do you have questions about Protomythological Forms? What are Protomythological Forms? How can these images exist? Become a member and read the Blog. It’s the best and only place to discuss what you’re viewing! Members can access the Protomythological Forms Blog and read the theory buttressing what Protomythological Forms are. Members can discover how Protomythological Forms fit into the mythological framework of our Human Memory. Members can become informed about the impact Protomythological Forms have on our constructed belief systems today! Join now to be part of the discussion!

Members have access to the finest 24-bit TIFF color representations for purchase and download! The 24-bit TIFF color images are beyond comparison to any other rock art in existence. The 24-bit TIFFs reveal all of the spectacular detail. They are specifically color-adjusted and precisely sharpened for a supreme viewing experience. The quintessential visual impression can be gained from the TIFF format by reproducing these images on state-of-the-art 30-bit color-accurate IPS panel monitors. The TIFF images can be used as desktop backgrounds on any screen size: Phone, Tablet, 1920×1080, 4K or 8K monitors. Or, tile the images in portrait-style across the monitor screen!

Members have access to all of the images available. Are you an avid rock or cave art enthusiast? Do you try to decipher Petroglyphs? Can you recognize Chauvet Cave Art, Lascaux Cave Art, Alta Mira Cave Art? Are you familiar with Peche Merle or Niaux Cave Art? Even if you have never heard of these grand caverns, you will welcome the visual feast available to you on Protomythological Forms.

But there is more! Some of the images are so compelling, so enthralling, so undeniably captivating, they cannot be presented to unprepared viewers. The images induce a fascination of the form. They offer persuasive visual evidence that many ancient cultures were active, intelligent, and highly advanced!

The Troll in the image is gazing up. His mouth is open both for consumption and vocalization. The single eye is warily seeking the sight of an approaching entity. Note the large ears.

Hasty but Dignified Reinforces the narrative of Observe and Retreat. A huge molten beast destroys the city and countryside at center top. Below, a conjoined line of five shapes plods onward over the horizon. The Observer, at far right, peers from behind. The Observer may be part of the retreat. Or, this could be a disjunction of allies. The relentless onslaught of the anfractuous enemy erupts the environment around them. A suited entity appears to wield irresistible heat weapons. The survivors are driven before the catastrophe. At the sight of it, the soldier’s face at left reveals both implacable resolve and wretched misery.

This image is part of the Atlas narrative. This view isolates the soldiers moving to destination. A small Titan visage is conspicuous at upper left. The advancing group approaches an objective. Of non-uniform shapes, the soldiers appear dissimilar.

At left, a seated entity shines a light from its eyes to illuminate a humanoid shaped individual to the right. The green humanoid has a long, left leg facing us and her right arm is extended. A finger from her right hand is poised, pointed down to a button-type item on the console of the seated entity. The face of the humanoid is within a shielded helm. Her face emotes canine/feline characteristics. A blue protrusion at her mouth may indicate a linguistic vocalization. A line of beings stands behind her, as if ready to punch-in at the console. The beings in line display various emotive poses. To the upper left, below the horizon line, entities with multifarious locomotive appendages approach. A machine-like robot figure stands below an orange light source of curious and complex design.

At upper center, a pink-orange Kachina-shaped head looks left. Arms are outstretched to the right and left across the image. The torso and hips are below in a posture of motion, such as walking, twirling, or balancing. Many motifs are available on this image. Starting at the image base, Atlas is visible, with his clamp-hand at bottom left, hoisting the sharp, 90 degree-angle block. This represents what Atlas is carrying. Built into the shape of the block, an unmistakable female form appears as part of the block. See the blog post “Female Form” for more discussion on this shape.

Moving to the torso of the Kachina, an animal figure appears to pierce through the torso. This signifies incorporation or disengagement of those two forms. The animal form appears to have heads on both left and right ends of the central, cylindrical body of the animal form. This penetration of the Kachina torso does appear to mimic the piercing of the torso of Tiamat. It is possible this Kachina figure can transmute the piercing and remain intact for activity. At right, a large beak appears to hold the right-hand head of the animal figure, making as if to bite it off. This signifies a conflict denoting capture, domination, and possible eradication of that form by the larger beaked figure. The Kachina has a breastplate that is covered in subtle and curious signification.

Moving to the arms of the Kachina figure, the right hand is visible at the left edge of the image. A thumb (bottom) and a forefinger (top) appear to press together. The left arm is terminating in a dark dome at the end of the arm. (Note this dark dome is visible at the left hand of the Image “Volcano Giant Terraformer” as well.) The white highlights at the right of the image appear to emanate from the cylindrical surface of the dark dome appendage. The white highlights create a plane that lends depth to the motion of the Kachina. At the head of the Kachina, a latticework of signification in her headdress includes an emanation from the top of her head, a round eye-shape in profile. Many figures proliferate in the shadows and highlights, for example, at center left and lower right. The chitinous, bright head of the Titan Atlas is visible at lower right.

The Kachina appears to take part in the motion of the structure.

Focusing on the middle of the image, a central point in the distance can be viewed, slightly above center. The yellow congruence, wrapped by a multitude of beings, is maintained by the two larger entities right and left. Are they building a tower? The right-side head is a blue, near-ovoid mass with a dark-center ear area. The blue head’s eyes, from multiple apertures, gaze down his side of the wall. The head of the blue entity has a non-hominid countenance. His is more of an elemental nature, less material, consisted by some emulsifying energy. A water entity may be associated with him. On the left-side, the alternate yellow-brown head is more formed from a material, such as earth or rock. The left-side head shape appears to control a different form of energy than his counterpart, on an alternate wavelength. All the material is animated by an energy that utterly and continuously transforms it within a set parameter. The left side head is composed of many eye-apertures, each with their unique facial features, just as the right-hand head. Their respective walls conjoin in the distance. Each contain unique entities. Some of these entities appear to be engaged in conflict, others at work, or relaxed.

Below the heads constrained in action, another scenario is depicted. At right, the Lava-Dragon Rider’s sword is plunged into the mantle. The sword is thrust into the entity which is depicted in the image “Unity.” The right-hand side of that Unity entity is shown separate here, severely treated. Above, the elemental, blue entity’s head surrounds the sword-hilt area like a brain. This elemental entity must be indissolubly aligned with the sword and its power. Like a flower growing on the stem, the blue-headed entity appears steadfastly attached to the ground. The mantle rises at the left of the image. Seated near the top of the mantle, a figure in red garb and a curiously shaped hat looks out to the right. Approaching from the right is a large, sculpted, sapient-saurian shaped entity, moving as if mounted on a pedestal. Items glow in the scene. This confrontation takes place lower left of image center. To the immediate right, beside the saurian-sapient, another set of forms is outlined. Could the sculpted lizard form be egressing from a transport vessel in its entirety below him?

Below the mantle, other living things break through visibility inside the substrate.

In the sky, a large, dark figure arches over the upper view, like Nut arching over the earth.